Color in Direct Animation:
Len Lye & Norman Mclaren

Exhibition Identity

Alfred Hitchcock: Pure Cinema
Book Design, Editorial

DrawButterfly
Data Visualization, Generative Design

Grand Central Terminal
Identity, Illustration, Publication, Web

Johnson & Johnson

Data Visualization, Machine Learning

Projects

Color In Direct Animation: Len Lye & Norman McLaren
Exhibition Identity
Campaign
Poster

An exhibition celebrating Len Lye and Norman McLaren, important film directors who transformed the filmstrip into a medium for drawing and painting. Compositions are drawn from saturated color palettes of Lye and McLaren’s films. Each poster reinterprets a distinct palette. When the colors are arranged together into a continuous gradient, they shift across the page like a filmstrip in motion. Optically, this creates a temporal experience of “animation”.

Composition 2

Norman McLaren, Still from Begone Dull Care, 1949, 35mm film, 8 min 17 sec, 460th second

Composition 3

Color in Direct Animation: Len Lye & Norman Mclaren

Color in Direct Animation: Len Lye & Norman Mclaren

Exhibition Identity

Alfred Hitchcock: Pure CinemaBook Design, Editorial

Alfred Hitchcock: Pure Cinema

DrawButterflyData Visualization, Generative Design

Data Visualization, Generative Design

Grand Central Terminal Identity, Illustration, Publication, Web

Grand Central Terminal

Identity, Illustration, Publication, Web

Johnson & Johnson

Data Visualization, Machine Learning

Color in Direct Animation:
Len Lye & Norman Mclaren

Color in Direct Animation:
Len Lye & Norman Mclaren

Alfred Hitchcock: Pure Cinema
Book Design, Editorial

DrawButterfly
Data Visualization, Generative Design

Grand Central Terminal
Identity, Illustration, Publication, Web